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The Rocky Horror Picture Show Movie Online

The Rocky Horror Picture Show Movie Online

1975 American film directed by Jim Sharman

The Rocky Horror Picture Testify
Original Rocky Horror Picture Show poster.jpg

Theatrical release poster
Directed by Jim Sharman
Screenplay by
Based on The Rocky Horror Bear witness
by Richard O'Brien
Produced by
Starring
Narrated past Charles Gray
Cinematography Peter Suschitzky
Edited by Graeme Clifford
Music by

Production
company
Distributed by 20th Century Fox

Release appointment
  • fourteen August 1975 (1975-08-xiv)

Running time

 100 minutes [1] [2]
Countries
Language English
Upkeep $1.4 million [iv]
Box office $226 million [v] [ needs update ]

The Rocky Horror Picture show Show is a 1975 musical comedy horror flick by 20th Century Play a trick on, produced by Lou Adler and Michael White and directed by Jim Sharman. The screenplay was written by Sharman and actor Richard O'Brien, who is also a member of the cast. The film is based on the 1973 musical stage production The Rocky Horror Prove , with music, book, and lyrics past O'Brien. The production is a parody tribute to the scientific discipline fiction and horror B movies of the 1930s through to the early 1960s. Along with O'Brien, the moving picture stars Tim Curry, Susan Sarandon, and Barry Bostwick and is narrated past Charles Greyness with cast members from the original Regal Court Theatre, Roxy Theatre, and Belasco Theatre productions including Nell Campbell and Patricia Quinn.

The story centres on a young engaged couple whose car breaks down in the rain virtually a castle where they seek a telephone to phone call for help. The castle or country home is occupied past strangers in elaborate costumes celebrating an almanac convention. They notice the head of the house is Dr. Frank Due north. Furter, an apparently mad scientist who really is an alien transvestite from the planet Transsexual in the galaxy of Transylvania, who creates a living muscle homo named Rocky in his laboratory.

The film was shot in the United Kingdom at Bray Studios and on location at an old country estate named Oakley Courtroom, best known for its earlier use by Hammer Film Productions. A number of props and gear up pieces were reused from the Hammer horror films. Although the pic is both a parody of and tribute to many kitsch science fiction and horror films, costume designer Sue Blane conducted no research for her designs. Blane has claimed that her creations for the film directly affected the evolution of punk rock mode trends such as torn fishnet stockings and colorfully-dyed hair. [half dozen]

Initial reception was extremely negative, but it shortly became a hit as a midnight movie when audiences began participating with the film at the Waverly Theater in New York Urban center in 1976. Audience members returned to the cinemas ofttimes and talked back to the screen and began dressing equally the characters, spawning like performance groups across the United States. At almost the same time, fans in costume at the King'south Court Theater in Pittsburgh began performing aslope the film. This "shadow cast" mimed the actions on screen above and behind them, while lip-syncing their graphic symbol's lines.

Nevertheless in limited release in 2022, some 46 years after its premiere, information technology is the longest-running theatrical release in film history. In many cities alive amateur shadow-casts act out the motion picture equally it is being shown and heavily draw upon a tradition of audience participation. [7] The film is most often shown close to Halloween. Today, the film has a large international cult following and has been considered by many every bit one of the greatest musical films of all time. In 2005, it was selected for preservation in the United states National Movie Registry by the Library of Congress equally being "culturally, historically, or aesthetically significant."

Plot [ edit ]

The moving picture starts with the opening credits for the principal cast ("Science Fiction, Double Feature"). So, a criminologist narrates the tale of the newly engaged Brad Majors and Janet Weiss ("Dammit Janet"), who find themselves lost and with a apartment tire on a cold and rainy late Nov in 1974. Seeking a telephone, the couple walks to a nearby castle ("Over at the Frankenstein Identify"); there, they discover an ongoing Annual Transylvanian Convention, where they see the Igor-like Riff Raff, his French maid sister Magenta, and a groupie named Columbia ("Time Warp"). Dr. Frank-N-Furter, a cross-dressing, bisexual mad scientist, introduces himself to the couple ("Sweet Transvestite").

In his lab, Frank claims to take discovered the "secret to life itself" and brings to life his cosmos: a tall, muscular, handsome blond named Rocky ("The Sword of Damocles"); Frank vows he can better Rocky into an platonic human being in a week ("I Can Make You a Human"). Commitment-boy Eddie (half of whose brain Frank had used in the cosmos of Rocky) breaks out of a deep freeze riding a motorcycle, interrupting Frank, and gets the Transylvanians dancing and singing ("Hot Patootie"). When Rocky starts dancing and enjoying the operation, a jealous Frank kills Eddie with a pickaxe. Frank justifies Eddie's murder as a "mercy killing" to Rocky and they depart to the bridal suite ("I Tin can Make You a Human - Reprise").

Brad and Janet are shown to divide bedrooms, where each is visited and seduced by Frank, who poses as Brad (when visiting Janet) and so as Janet (when visiting Brad). Although each of them is initially against having sexual relations with Frank, each quickly relents. Janet, upset and emotional after having lost her virginity to Frank, wanders off to observe Brad, whom she sees smoking a cigarette in bed with Frank on a video monitor. She and so discovers Rocky, cowering in his birth tank, hiding from Riff Raff and Magenta, who were tormenting him. While tending to his wounds, Janet, upset that Brad slept with Frank, decides to get intimate with Rocky as Magenta and Columbia watch from their bedroom monitor ("Impact-a, Touch-a, Bear on-a, Impact Me").

After discovering that Rocky is missing, Frank returns to the lab with Brad and Riff Raff, where Frank learns that an intruder has entered the building: Dr. Everett Scott, Janet and Brad'southward quondam science teacher. Dr. Scott now investigates UFOs for the regime, which alarms Frank. Dr. Scott explains that he is at that place in search of his nephew Eddie. Dr. Scott assures Frank that his presence at the castle at the same fourth dimension equally Brad is a coincidence unrelated to UFO work. Frank, Dr. Scott, Brad, and Riff Raff then detect Janet and Rocky together, angering Frank and Brad. At this indicate, Magenta sounds the gong to summon everyone to dinner.

Rocky and the guests share an uncomfortable dinner, which they presently realise has been prepared from Eddie's mutilated remains ("Eddie"). Janet runs screaming into Rocky's arms, provoking Frank to chase her through the halls ("Planet Schmanet Janet"). Janet, Brad, Dr. Scott, Rocky, and Columbia all run across in Frank's lab, where Frank captures them with the Medusa Transducer, transforming them into nude statues ("Planet Hot Dog"). Afterward dressing them in cabaret costumes, Frank "unfreezes" them, and they perform a alive cabaret floor evidence, complete with an RKO tower and a pond pool, with Frank as the leader("Rose Tint My Earth/Don't Dream It, Be It/Wild and Untamed Thing").

Riff Raff and Magenta, at present with new space-buck attire and hairdos, interrupt the performance. They inform Frank that he has failed their mission; Riff Raff declares himself commander and Frank attempts to explain himself believing he'll be taken as a prisoner ("I'm Going Home"), but Riff Raff kills both him and Columbia using a pitchfork-shaped raygun. An enraged Rocky gathers Frank'south corpse in his artillery, climbs to the superlative of the belfry impervious to Riff Raff'due south raygun beams, and plunges to his death in the pool beneath. Riff Raff and Magenta state they will be returning to their home planet Transsexual in the galaxy of Transylvania, warning Brad, Janet and Dr. Scott to get out immediately before the castle lifts off into space. The injured survivors are then left itch in the smog and dirt and the narrator concludes that the human race is equivalent to insects itch on the planet'south surface: "lost in time, and lost in space... and pregnant".

Two songs play as the film ends with the terminal credits rolling ("Super Heroes"; "Science Fiction, Double Characteristic—Reprise").

Cast [ edit ]

Production [ edit ]

Concept and evolution [ edit ]

Little Nell, Patricia Quinn, Tim Curry, and Richard O'Brien in The Rocky Horror Movie Show. All were in the original phase show.

Richard O'Brien was living equally an unemployed histrion in London during the early 1970s. He wrote well-nigh of The Rocky Horror Show during 1 winter just to occupy himself. [viii] [9] Since his youth, O'Brien had loved science fiction and B horror movies. He wanted to combine elements of the unintentional humour of B horror movies, portentous dialogue of schlock-horror, Steve Reeves muscle flicks, and fifties stone and roll into his musical. [10] O'Brien conceived and wrote the play set against the backdrop of the glam era that had manifested itself in British popular culture in the 1970s. [11] Assuasive his concept to come up into existence, O'Brien states "glam rock immune me to be myself more". [12]

O'Brien showed a portion of the unfinished script to Australian director Jim Sharman, who decided to straight it at the pocket-sized experimental infinite Upstairs at the Majestic Court Theatre, Sloane Square, Chelsea, London, which was used as a project space for new work. [eight] O'Brien had appeared briefly in a stage product of Andrew Lloyd Webber'southward Jesus Christ Superstar , directed by Sharman, and the ii likewise worked together in Sam Shepard'south The Unseen Hand. Sharman would bring in production designer Brian Thomson. [13] The original artistic team was then rounded out by costume designer Sue Blane, musical managing director Richard Hartley, and stage producer Michael White, who was brought in to produce. As the musical went into rehearsal, the working title, They Came from Denton High, was inverse just before previews at the suggestion of Sharman to The Rocky Horror Show. [8] [14]

Having premiered in the minor 60-seat Royal Court Theatre, it quickly moved to larger venues in London, transferring to the 230-seat Chelsea Classic Cinema on Rex'south Road on 14 August 1973, before finding a quasi-permanent dwelling house at the 500-seat Rex's Road Theatre from iii Nov that twelvemonth, running for six years. [15] The musical made its U.S. debut in Los Angeles in 1974 before playing in New York City too as other cities. [13] Producer and Ode Records owner Lou Adler attended the London production in the winter of 1973, escorted by friend Britt Ekland. He immediately decided to purchase the U.Southward. theatrical rights. His production would be staged at his Roxy Theatre in L.A. [16] In 1975, The Rocky Horror Evidence premiered on Broadway at the i,000-seat Belasco Theatre. [17]

Filming and locations [ edit ]

Set up in the fictional town of Denton, the film was shot at Bray Studios and Oakley Courtroom, a country house near Maidenhead, Berkshire, England, and at Elstree Studios [18] for post-production, [nineteen] from 21 October to xix Dec 1974. Oakley Court, built in 1857 in the Victorian Gothic fashion, is known for a number of Hammer films. [xx] [21] Much of the location shooting took place at that place, although at the time the manor was not in proficient condition. [22] Much of the cast were from the original London stage production, including Tim Curry, who had decided that Dr Frank N. Furter should speak like the Queen of the United kingdom, extravagantly posh. [12] Flim-flam insisted on casting the two characters of Brad and Janet with American actors, Barry Bostwick and Susan Sarandon. [xiii] Filming took place during fall, which made weather worse. During filming, Sarandon barbarous ill with pneumonia. [x] Filming of the laboratory scene and the championship character's creation occurred on 30 October 1974. [23]

The film is both a parody and tribute to many of the science fiction and horror movies from the 1930s upwards to the 1970s. [8] The motion picture production retains many aspects from the stage version such as production design and music, but adds new scenes not featured in the original stage play. [thirteen] The film's plot, setting, and mode echo those of the Hammer horror films, which had their ain instantly recognizable fashion (just every bit Universal Studios' horror films did). [24] The originally proposed opening sequence was to contain clips of various films mentioned in the lyrics, equally well as the showtime few sequences shot in black and white, only this was deemed too expensive and scrapped. [13]

Costumes, make-up, and props [ edit ]

In the stage productions, actors mostly did their ain make-up; even so, for the film, the producers chose Pierre La Roche, who had previously been a make-upwardly artist for Mick Jagger and David Bowie, to redesign the make-up for each graphic symbol. [25] Production stills were taken by rock lensman Mick Stone, who has published a number of books from his work. [26] In Rocky Horror: From Concept to Cult, designer Sue Blane discusses the Rocky Horror costumes' influence on punk music style, opining "[It was a] big office of the build-up [to punk]." She states that ripped fishnet stockings, glitter, and coloured hair were directly attributable to Rocky Horror. [8]

A replica costume based on the movie'due south gilt sequined swallow-tail coat worn by Piddling Nell, recreated past fan Mina Credeur of Houston, Texas.

Some of the costumes from the motion picture had been originally used in the stage product. Props and set pieces were reused from onetime Hammer Horror productions and others. The tank and dummy used for Rocky'due south birth originally appeared in The Revenge of Frankenstein (1958). These references to earlier productions, in addition to cutting costs, enhanced the cult status of the film. [27]

Costume designer Sue Blane was not keen on working for the film until she became enlightened that Curry, an old friend, was committed to the project. Curry and Blane had worked together in Glasgow's Citizens Theatre in a production of The Maids , for which Back-scratch had worn a woman'south corset. Blane arranged for the theatre to loan her the corset from the other production for Rocky Horror. [28] Blane admits that she did not acquit inquiry for her designing, had never seen a science fiction picture, and is acutely enlightened that her costumes for Brad and Janet may take been generalizations.

When I designed Rocky, I never looked at any scientific discipline fiction movies or comic books. 1 just automatically knows what spacesuits look like, the same fashion i intuitively knows how Americans wearing apparel. I had never been to the U.s., just I had this fixed thought of how people looked there. Americans wore polyester and so their wearing apparel wouldn't crease, and their trousers were a bit likewise short. Since they're very smashing on sports, white socks and white T-shirts played an integral role in their wardrobe. Of class, since doing Rocky I have been to the United States and admit it was a scrap of a generalization, but my ideas worked perfectly for Brad and Janet. [28]

The upkeep for the pic was US$1,600,000, far more than the phase production budget, but having to double up on costumes for the picture show product was expensive. For filming, corsets for the finale had to be doubled for the puddle scene, with ane version drying while the other was worn on gear up. While many of the costumes are verbal replicas from the stage productions, other costumes were new to filming, such equally Columbia'south aureate sequined swallow-tail glaze and top hat and Magenta'due south maid's uniform. [28]

Blane was amazed by the recreation and agreement of her designs by fans. [28] When she first heard that people were dressing upward, she idea information technology would be tacky, but was surprised to see the depth to which the fans went to recreate her designs. Rocky Horror fan Mina Credeur, who designs costumes and performed as Columbia for Houston'due south performance group, states that "the all-time function is when anybody leaves with a big grinning on their face," noting that there's "such a kitschiness and campiness that it seems to be winking at you lot." [29] The film yet plays at many theatre locations and Rocky Horror costumes are oftentimes fabricated for Halloween, although many crave much fourth dimension and try to make. [thirty]

Title sequence [ edit ]

The movie starts with the screen fading to black and oversized, disembodied female lips appear overdubbed with a male vox, [27] [31] establishing the theme of androgyny to be repeated as the film unfolds. [32] The opening scene and song, "Science Fiction/Double Feature", consists of the lips of Patricia Quinn (who appears in the movie afterward as the grapheme Magenta and as 'Trixie the Usherette' in the original London production, where she besides sings the song) but has the vocals of role player and Rocky Horror creator, Richard O'Brien (who appears as Magenta'south brother Riff Raff). The lyrics refer to science fiction and horror films of the by and listing several film titles from the 1930s to the 1960s, including The Day the Earth Stood Still (1951), Wink Gordon (1936), The Invisible Homo (1933), Male monarch Kong (1933), It Came from Outer Space (1953), Dr. Ten (1932), Forbidden Planet (1956), Tarantula (1955), The Day of the Triffids (1962), Curse of the Demon (1957), and When Worlds Collide (1951). [8]

Music [ edit ]

The soundtrack was released in 1975 past Ode Records and produced by English language composer Richard Hartley. The album peaked at No. 49 on the U.Due south. Billboard 200 in 1978. [33] It reached No. 12 on the Australian albums chart [34] and No. eleven on the New Zealand albums nautical chart. [35] The album is described as the "definitive version of the [Rocky Horror] score". [36]

  1. "Science Fiction/Double Feature" – The Lips (those of Patricia Quinn; vocalism of Richard O'Brien)
  2. "Dammit Janet" – Brad, Janet, and Chorus
  3. "There'southward a Calorie-free (Over at the Frankenstein Place)" – Janet, Brad, Riff Raff, and Chorus
  4. "The Fourth dimension Warp" – Riff Raff, Magenta, The Criminologist, Columbia, and Transylvanians
  5. "Sweet Transvestite" – Frank
  6. "The Sword of Damocles" – Rocky and Transylvanians
  7. "I Can Brand You a Human being" – Frank with Brad, Janet, Riff Raff, Magenta, and Columbia
  8. "Hot Patootie – Anoint My Soul" – Eddie and Transylvanians
  9. "I Tin can Make You lot a Man (Reprise)" – Frank, Janet, and Transylvanians
  10. "Touch-a, Impact-a, Touch-a, Touch on Me" – Janet with Magenta, Columbia, Rocky, Brad, Frank, and Riff Raff
  11. "Once in a While" ( deleted scene ) – Brad
  12. "Eddie" – Dr. Scott, The Criminologist, Janet, Columbia, Frank, Rocky, Brad, Riff Raff, and Magenta
  13. "Planet Schmanet Janet (Wise Up Janet Weiss)" – Frank
  14. "Planet Hot Dog" – Janet, Brad, and Dr. Scott
  15. "Rose Tint My World" – Columbia, Rocky, Janet, and Brad
  16. "Fanfare/Don't Dream It, Be It" – Frank with Brad, Janet, Rocky, and Columbia
  17. "Wild and Untamed Thing" – Frank with Brad, Janet, Rocky, Columbia, and Riff Raff
  18. "I'one thousand Going Home" – Frank and Chorus
  19. "The Time Warp (Reprise)" – Riff Raff and Magenta
  20. "Super Heroes" (only present in the original United kingdom release) – Brad, Janet, and Chorus
  21. "Science Fiction/Double Feature (Reprise)" – The Lips

Release [ edit ]

London release poster for fourteen August 1975 premiere

The picture show opened in the United Kingdom at the Rialto Theatre in London on 14 Baronial 1975 and in the United States on 26 September at the UA Westwood in Los Angeles. [37] [38] Information technology did well at that location, but not elsewhere. [39] Before the midnight screenings' success, the film was withdrawn from its 8 opening cities due to very minor audiences, and its planned New York City opening on Halloween night was cancelled. [40] Trick re-released the moving picture around college campuses on a double-bill with another rock music flick parody, Brian De Palma'south Phantom of the Paradise (1974), but again it drew small audiences. [40]

The iconic "Lips" affiche, a parody of the poster for the 1975 picture show Jaws

A 2d film poster was created using a set of red, lipstick painted lips with the tagline "A Different Ready of Jaws", a spoof of the poster for the picture show Jaws (which was as well released in 1975). [27] The lips of former Playboy model Lorelei Shark are featured on the poster. [41]

With Pinkish Flamingos (1972) and Reefer Madness (1936) making money in midnight showings nationwide, a Fox executive, Tim Deegan, was able to talk distributors into midnight screenings, [32] starting in New York City on April Fools' Day of 1976. [xl] Information technology was the "Clandestine" motion picture, on 20 May, in the commencement Seattle International Film Festival. [42] The cult following started shortly later on the film began its midnight run at the Waverly Theater in New York City, [39] [ page needed ] then spread to other counties in New York, and to Uniondale, Long Isle. Rocky Horror was not just found in the larger cities but throughout the United States, where many attendees would get in free if they arrived in costume. The western division of the moving picture's release included the U.A. Cinemas in Fresno and Merced, the Movie house J. in Sacramento, the UC Theatre in Berkeley and the Covell in Modesto. In New Orleans, an early organised performance group was active with the release there, as well equally in such cities equally Pittsburgh, Pennsylvania, and Chicago (at the Biograph Theater). Earlier long, most every screening of the moving picture was accompanied by a alive fan cast. [43]

19 Jan 1978, opening at the UA Cinema, Merced, California

The Rocky Horror Picture Show is considered to be the longest-running release in picture show history. [five] [44] It benefited from a 20th Century Fox policy that made archival films available to theatres at any time. [45] Having never been pulled past 20th Century Fox from its original 1975 release, information technology continues to play in cinemas. [46] [47] Later The Walt Disney Company acquired 20th Century Fox in 2019 and began withdrawing archival Play a joke on movies from theatres to exist placed into the Disney Vault, the company made an exception in the case of The Rocky Horror Picture Testify to allow the traditional midnight screenings to continue. [45] [48]

Habitation media [ edit ]

A Super 8 version of selected scenes of the film was made bachelor. [49] In 1983, Ode Records released "The Rocky Horror Moving-picture show Show, Audience Par-Tic-I-Pation Album", recorded at the 8th Street Playhouse. The recording consisted of the motion picture'south sound and the standardized call-backs from the audience. [50]

A habitation video release was made available in 1987 in the United kingdom of great britain and northern ireland. [51] In the United states of america, the motion picture (including documentary footage and extras) was released on VHS on eight November 1990, retailing for $89.95. [37]

The film was released on DVD in 2000 for the movie's 25th anniversary. A 35th anniversary edition Blu-ray was released by 20th Century Fox Home Entertainment in the US on 19 October 2010. The disc includes a newly created 7.1 surround sound mix, the original theatrical mono sound mix, and a 4K/2K image transfer from the original photographic camera negative. In addition, new content featuring karaoke and a fan performance were included. [52] A 45th ceremony edition Blu-ray was released in September 2020 by Walt Disney Studios Home Amusement. [53]

In October 2021, the film was added to Disney+ on the Star hub for users in locations such as the UK, Ireland and Canada. [54]

Reception [ edit ]

Chicago Sun-Times critic Roger Ebert noted that when first released, The Rocky Horror Moving picture was "ignored past pretty much anybody, including the hereafter fanatics who would somewhen count the hundreds of times they'd seen information technology". He considered it more a "long-running social phenomenon" than a movie, rating information technology 2.five out of 4 stars and describing Curry as "the best thing in the movie, maybe because he seems to exist having the near fun" only thinking the story would piece of work better performed on stage for a alive audience. [55] Bill Henkin noted that Multifariousness thought that the "campy hijinks" of the picture show seemed labored, and too mentioned that the San Francisco Chronicle 's John Wasserman, who had liked the phase play in London, found the film "defective both charm and dramatic impact". Newsweek , in 1978, called the motion picture "tasteless, plotless and pointless". [56]

Review aggregator website Rotten Tomatoes gives the picture show a rating of 78% based on 45 reviews, and an average grade of 6.9/x, with the critical consensus reading "The Rocky Horror Picture brings its quirky characters in tight, but it's the narrative thrust that actually drives audiences insane and keeps 'em doing the time warp again". [57] A number of gimmicky critics notice information technology compelling and enjoyable considering of its offbeat and bizarre qualities; the BBC summarised: "for those willing to experiment with something a little flake different, a little scrap outré, The Rocky Horror Pic Show has a lot to offer." [58] The New York Times called information technology a "depression-budget freak show/cult classic/cultural institution" with "catchy" songs. [59] Geoff Andrew, of Fourth dimension Out , noted that the "string of hummable songs gives it momentum, Gray's admirably straight-faced narrator holds it together, and a run on blackness lingerie takes intendance of almost everything else", rating it iv out of five stars. [60] On the other hand, Dave Kehr of the Chicago Reader considered the wit to be "also weak to sustain a flick" and thought that the "songs all sound the same". [61]

In 2005, the film was selected for preservation in the The states National Film Registry by the Library of Congress as being "culturally, historically, or aesthetically significant". [62] [63]

Cult following [ edit ]

Origins [ edit ]

Dori Hartley and Sal Piro at the Waverly Theatre in New York in 1977

The Rocky Horror Film Evidence helped shape conditions of cult moving-picture show'southward transition from art-firm to grind-firm way. [64] The movie developed a cult following in 1976 at the Waverly Theatre in New York, which developed into a standardized ritual. According to J. Hoberman, author of Midnight Movies, it was later on five months into the movie's midnight run when lines began to be shouted by the audition. Louis Farese Jr., a normally tranquility teacher, upon seeing the grapheme Janet identify a newspaper over her caput to protect herself from rain, yelled, "Buy an umbrella, you lot cheap bowwow." Originally, Louis and other Rocky Horror pioneers, including Amy Lazarus, Theresa Krakauskas, and Bill O'Brian, did this to entertain each other, each calendar week trying to come up up with something new to make each other laugh. This rapidly defenseless on with other theatre-goers and thus began this self-proclaimed "counter point dialogue", which became standard practice and was repeated nearly verbatim at each screening. [9] Performance groups became a staple at Rocky Horror screenings due in part to the prominent New York City fan cast. [39] [ page needed ] The New York Urban center cast was originally run by former schoolteacher and stand-upwardly comic Sal Piro and his friend Dori Hartley, the latter of whom portrayed Dr. Frank Northward. Furter and was ane of several performers, including Volition Kohler as Brad Majors, Nora Poses as Janet, and Lilias Piro as Magenta, in a flexible rotating cast. [65] The performances of the audience were scripted and actively discouraged improvising, being conformist in a similar way to the repressed characters. [66]

D. Garrett Gafford and Terri Hardin, Tiffany Theater Hollywood, 1978

On Halloween in 1976, people attended in costume and talked back to the screen, and by mid-1978, Rocky Horror was playing in over 50 locations on Fridays and Saturdays at midnight. Newsletters were published by local performance groups, and fans gathered for Rocky Horror conventions. [40] By the end of 1979, there were twice-weekly showings at over 230 theatres. [40] The National Fan Club was established in 1977 and later merged with the International Fan Social club. The fan publication The Transylvanian printed a number of bug, and a semi-regular poster magazine was published as well every bit an official mag. [64]

Performance groups in the Los Angeles expanse originated at the Fob Theatre in 1977, where Michael Wolfson won a wait-akin contest equally Frank N. Furter, and won some other at the Tiffany Theater on Dusk Boulevard. Wolfson's group eventually performed in all of the L.A. expanse theatres screening Rocky Horror, including the Balboa Theater in Balboa, The Cove at Hermosa Beach, and The Sands in Glendale. He was invited to perform at the Sombrero Playhouse in Phoenix, Arizona.[ citation needed ] At the Tiffany Theatre, the audience performance bandage had the theatre's full cooperation; the local performers entered early and without accuse. The fan playing Frank for this theatre was a transgender performer, D. Garret Gafford, who was out of work in 1978 and trying to raise the funds for a gender reassignment while spending the weekends performing at the Tiffany. [39] [ folio needed ] [67] Presently, the live activeness rendition of The Rocky Horror Moving-picture show is available for attendance in diverse locations in Los Angeles, typically Saturday nights at midnight.[ citation needed ]

San Francisco's Strand Theatre, 1979. Linda Woods, Marni Scofidio, Denise Erickson, and Jim Back-scratch

Past 1978, Rocky Horror had moved from an earlier San Francisco location to the Strand Theatre located near the Tenderloin on Market Street. [68] The performance group at that place, Double Feature/Celluloid Jam, was the kickoff to human activity out and perform almost the entire picture, different the New York cast at that time. The Strand cast was put together from former members of an early Berkeley group, disbanded due to less than enthusiastic management. Frank North. Furter was portrayed by Marni Scofidio, who, in 1979, attracted many of the older performers from Berkeley. Other members included Mishell Erickson every bit Columbia, her twin sister Denise Erickson every bit Magenta, Kathy Dolan as Janet, and Linda "Lou" Wood as Riff Raff. The Strand grouping performed at two big science fiction conventions in Los Angeles and San Francisco, were offered a spot at The Mabuhay, a local punk club, and performed for children's television of Argentina. [39] [ folio needed ]

Legacy [ edit ]

Annual Rocky Horror conventions are held in varying locations, lasting days. Tucson, Arizona has been host a number of times, including 1999 with "El Fishnet Fiesta", and "Queens of the Desert" held in 2006. [69] Vera Dika wrote that, to the fans, Rocky Horror is ritualistic and comparable to a religious result, with a compulsive, repeated cycle of going dwelling house and coming back to see the film each weekend. [9] The audience call-backs are similar to responses in church during a mass. [ix] Many theatre troupes exist across the The states that produce shadow-bandage performances where the actors play each role in the film in total costume, with props, as the movie plays on the big screen in a moving picture theatre. [70] [71] O'Brien's Orchestra, formerly known equally the Queerios (based in Austin, Texas), is the longest running shadow-cast in Texas. [72]

The motion-picture show has a global post-obit and remains pop. [73] Subcultures such as Rocky Horror have also found a place on the Internet. [74] Audition participation scripts for many cities are available for download from the internet. [27] The internet has a number of Rocky Horror fan-run websites with various quizzes and information, specializing in dissimilar content, allowing fans to participate at a unique level. [32]

LGBT influence [ edit ]

Members of the LGBT customs comprised a large part of the Rocky Horror cult post-obit: they identified with the comprehend of sexual liberation and androgyny, and attended show after testify, slowly forming a community. Judith A. Peraino compares Brad and Janet's initiation into Frank N. Furter'southward globe to the self-discovery of 'queer identity', and to the traditional initiation of 'virgins' in the shadow screenings. [75] June Thomas describes the midnight screenings in Delaware as a 'very queer scene,' which increased visibility for the LGBT community: "The folks standing in line outside the State in fishnets and makeup every Saturday night undoubtedly widened the sphere of possibilities for gender expression on Main Street." [76] [77]

The Rocky Horror Picture Show remains a cultural phenomenon in both the U.South. and U.Thou. [78] [79] Cult film participants are often people on the fringe of lodge that find connection and community at the screenings, [80] although the movie attracts fans of differing backgrounds all over the globe. [81]

"Bisexuality, The Rocky Horror Picture Show, and Me", by Elizabeth Reba Weise, is role of the publication, Bi Any Other Proper name: Bisexual People Speak Out (1991), an anthology edited by Loraine Hutchins and Lani Ka'ahumanu [82] [83] about the history of the modern bisexual rights movement that is one of the offset publications of bisexual literature. [84]

Cultural influence [ edit ]

The Rocky Horror Picture Show has been featured in a number of other characteristic films and television series over the years. Episodes of The Simpsons , The Venture Bros. , The Boondocks , Glee , The Drew Carey Evidence , That '70s Show , Federal republic of germany 86 , and American Dad! spotlight Rocky Horror, every bit do films such as Vice Squad (1982), Halloween Ii (2009), and The Perks of Being a Wallflower (2012). [37] The 1980 motion-picture show Fame featured the audience reciting their callback lines to the screen and dancing the Time Warp, [85] the trip the light fantastic toe from the stage show and film, which has become a novelty dance at parties. [86] Director Rob Zombie cited Rocky Horror every bit a major influence on his moving picture House of chiliad Corpses (2003), [87] while the film's fan civilisation of cosplaying and audience participation during screenings laid the groundwork for the similarly influential cult post-obit surrounding Tommy Wiseau'due south The Room (2003). [88] [89] Rocky Horror too inspired John McPhail'due south zombie musical Anna and the Apocalypse (2018). [90]

Sequel [ edit ]

In 1979, O'Brien wrote a projected sequel to the film entitled Rocky Horror Shows His Heels. This script would take featured the return of all of the characters from the original film, and O'Brien wished to largely use the original production squad to make the new film; however, Sharman did non wish to revisit the original concept and then directly, and Tim Curry did not wish to reprise his role.[ citation needed ]

Instead, in 1981, Sharman reunited with O'Brien to film Shock Treatment , a stand-alone feature that was not a straight sequel to the original movie. [2] This film was originally conceived and written in 1980 under the title The Brad and Janet Show, using virtually of the songs from the original projection Rocky Horror Shows His Heels with lyrical adjustments, and depicting the characters' standing adventures in the town of Denton; however, these plans had to be adapted due to a Screen Actors Gild strike. The eventual production would entail the entire flick being shot within a sound stage. Shock Treatment was poorly received by critics and audiences upon release (in no small part due to the main cast of Back-scratch, Sarandon and Bostwick not returning) only over time has built a small cult following, though not nearly as strong equally the first film. [91]

Ten years later, O'Brien wrote some other script intended equally a direct sequel to the cult classic, entitled Revenge of the Sometime Queen. [92] Producer Michael White had hoped to begin work on the production and described the script as beingness "in the same style as the other i. Information technology has reflections of the past in it." [93] Revenge of the Old Queen had apparently commenced pre-production; however, afterward studio head Joe Roth was ousted from Fob in 1993, the projection was shelved indefinitely. Although the script has non been published, homemade copies can be read on the internet, and 1 song from the project'south original demo tape circulates among fans. The script is currently endemic past Trick, which produced the 2 original films. Nigh individuals associated with the project, including O'Brien, concord that the film will probably never be made, owing to the failure of Shock Handling and the aging of the original cast. [94]

Betwixt 1999 and 2001, O'Brien was working on a third attempted sequel project with the working title Rocky Horror: The Second Coming, [95] first to be made as a stage production, with an option to create a film if met with success. This script would largely integrate plot elements from Rocky Horror Shows His Heels, but with all-new songs. O'Brien completed a first draft of this script (which was read by Terry Jones [96] ) just had difficulties finalising anything across the get-go human action, and fiddling more has been heard of this project since the mid-2000s.[ citation needed ]

In jump 2015, O'Brien produced Shock Treatment for the theatrical stage with a premiere at the King'southward Caput Theatre in Islington, London. [97] [98]

Remake [ edit ]

"The Rocky Horror Glee Show" aired on 26 Oct 2010, as part of the second season of the television serial Glee—and recreated several scenes from the motion picture, including the opening credits. It featured Barry Bostwick and Meat Loaf in cameo roles. [99] An EP album covering seven songs from the moving-picture show was released on xix Oct 2010. [100]

On 10 April 2015, the Fox Network appear information technology would air a mod-day reimagining of the pic, titled The Rocky Horror Picture Show: Let's Practise the Time Warp Again. [101] [102] On 22 October 2015, Fox announced that the role of Dr. Frank N. Furter would be played by transgender extra Laverne Cox. [103] Ryan McCartan played Brad, aslope Victoria Justice equally Janet, with Reeve Carney equally Riff Raff and singer/model Staz Nair as Rocky. [104] Adam Lambert portrays Eddie. [105] Tim Curry, who portrayed Dr. Frank Due north. Furter in the original movie, portrays the Criminologist. [106] On one February 2016, the network announced that Broadway veteran Annaleigh Ashford would portray Columbia. [107] On 5 Feb 2016, Ben Vereen joined the cast every bit Dr. Everett von Scott. [108]

Kenny Ortega, best known for the High School Musical franchise and Michael Jackson's This Is It (2009) directed, choreographed and executive-produced the remake; Lou Adler, who was an executive producer of the original moving-picture show, has the aforementioned role for the new pic, which premiered on Fob on 20 Oct 2016. [109]

See also [ edit ]

References [ edit ]

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Bibliography [ edit ]

External links [ edit ]

The Rocky Horror Picture Show Movie Online

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